Diamond Cut Forensics Audio Laboratory portable is a comprehensive set of utilities designed for audio restoration, enhancement and audio archiving. This extensive toolkit will allow the user to remove extraneous noise and also enhance the sound from any audio source without degrading the content contained on the original Recognizing that there is a tradeoff between the degree of noise removed from a source and the fidelity transient and frequency response maintained, the developers have sought to provide the highest level of user control while maintaining ease of use over the variables that affect the audio restoration and enhancement process.
Professional Audio Engineers, Audio Archivists, Ham Radio Operators, and Audiophile Hobbyists use our productsfor re-mastering, editing, noise removal and audio signal analysis. It is also used by many local, state and federal government agencies including military intelligence operations for forensics law enforcement applications particularly in surveillance situations.
Private sector forensics audio engineers use it for post processing forensic recordings of phone calls and surveillance tapes. Radio and television networks have found the LIVE (real-time signal processing) feature of particular value in their real-time applications. Additionally a number of Engineering Colleges and Universities use this software as part of the laboratory portion ofsome coursework pertaining to applied DSP techniques.
New Forensics Features
Forensics Audio Whisper Enhancer Filter (including 15 factory presets)
Spectral Frequency Tracking to aid in Audio Authentication
Audio Statistics Feature (Peak, RMS, Avg, pk-pk…)
Auto “Remove Silence” function for easier transcription of long surveillance files.
Forensics Histogram vs Time display added for analyzing entire files in a histogram domain.
Comparative Histogram allows comparison of statistical distribution of two areas of a file.
Subsonic Explorer feature to help find sub-audible events
Set a file Time offset for tracking time in multipart files.
Direct Access to the Adaptive Frequency Domain Filter (AFDF)
New Feature: Vocal Wind Noise reduction
Improved tracking of all editing functions in classic editing mode between source and destination files
Added offset capability to the overtone and sub-harmonic synthesizer filters for a more natural sound.
Added power spectrum display to the Spectrum Analyzer.
Added “Delete All Filters” right menu option to the Multifilter
Gain Normalize would have incorrect final gain levels
CNF crash when running in “keep residue” mode at high FFT sizes
Fixed overall gain of RIAA filter at 96kHz sample rate.
Fixed crash opening some video file types.